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<item><title>Recent Additions: Satori on Park Avenue (1984) by Donald Sur</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=397</link><description><![CDATA["The imaginary scene is set in a Park Avenue penthouse in [New York City in the 1930's]. It is another in the endless procession of cocktail parties animated by slender arms and brittle lives. The air of hardened sophistication is lying heavily on the gathering when suddenly a horrified gasp shatters the calm. A frightened guest is looking outside at an enormous primate holding a screaming blonde and climbing up the Empire State Building."
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<item><title>Recent Additions: The Holy Fool (2004) by Symeon Waseen</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=396</link><description><![CDATA["<b>The Holy Fool</b> is derived from the writings of Leontius of Neapolis, a seventh-century author who wrote of the fictitious <b>Symeon the Holy Fool</b>. A holy fool is a folkloric character who demonstrates his wisdom through acts of insanity which have marvelous and unforeseeable outcomes. The two pianists demonstrate this dichotomy by performing music of a highly contrasting nature, sometimes in an uncoordinated fashion."
]]></description><pubDate>Tue, 07 Sep 2010 12:23:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=396</guid></item>
<item><title>Recent Additions: Piece in the Shape of a Square (1967) by Philip Glass</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=395</link><description><![CDATA["The piece is vintage minimalism. The opening motive gradually gets displaced to the point where its original straightforward catchiness changes into a mesmerizing rhythmic duel between both voices. What follows is a process in which melodic fragments transform into a canon at the eighth note before the voices cross, swap roles, and continue on their way."
]]></description><pubDate>Tue, 17 Aug 2010 12:47:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=395</guid></item>
<item><title>Current Feature: Live from Oberlin Conservatory</title><link>http://artofthestates.org/feature.html</link><description><![CDATA[In recent years Oberlin Conservatory has become an important center of contemporary musicmaking. Its graduates have gone on to form prominent US new music groups such as the sextet eighth blackbird and the International Contemporary Ensemble. <b>Art of the States</b> presents five works performed by the Oberlin Contemporary Music Ensemble under the direction of Timothy Weiss.
]]></description><pubDate>Sun, 01 Aug 2010 10:21:00 PDT </pubDate><guid isPermaLink="true">http://artofthestates.org/feature.html</guid></item>
<item><title>Recent Additions: Modules (1985) by Mel Powell</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=394</link><description><![CDATA["The underlying idea here was to adapt a particular generic structure, usually found in very small formal units, by 'exploding' it -- that is, converting it to a much larger level of form ... So, the brief utterances, often separated by silences, are very numerous, gradually becoming larger, until, finally, continuousness permits no break in sound. (Someone once elegantly called the coda an exercise in vanishing.)"
]]></description><pubDate>Fri, 23 Jul 2010 16:44:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=394</guid></item>
<item><title>Recent Additions: Anea (2008) by Chaya Czernowin</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=393</link><description><![CDATA["<b>Anea</b> is an invented name for a music-crystal modeled on an ionic crystal [a crystal with a lattice of ions held together by electrostatic interaction] ... The five pieces on this series are each a concise and concentrated focus on a singular physical gesture. Close examination of the gesture reveals the strange physical laws of the world in which the gesture exists, and the body performing it."
]]></description><pubDate> Fri, 02 Jul 2010 15:33:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=393</guid></item>
<item><title>Recent Additions: Bright Days of Little Sunlight (2008) by Peter V. Swendsen</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=392</link><description><![CDATA["The work is based on the experience of winter in Norway, particularly the very gradual and ephemeral appearance and disappearance of the sun each day. The tape part consists entirely of field recordings made in and around Oslo, the mountains near Gausdal, and on the Sognefjord in western Norway. The instrumental parts are extrapolations of those soundscapes: pitches are derived from analyses of ice settling, foghorns sounding, and bells ringing; fragments of melodies come from holiday folk songs; extended gestures result from contours of wind and melting water."
]]></description><pubDate>Fri, 25 Jun 2010 08:05:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=392</guid></item>
<item><title>Recent Additions: the soadie waste (2002-2003) by James Dillon</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=392</link><description><![CDATA["<b>the soadie waste</b> ... takes its title from an old dance hall in Rutherglen, on the outskirts of Glasgow [Scotland]. 'The soadie waste' was the local name for the TA [Territorial Army] social club, and was built on the wasteland of an old chemical factory. It is said that residual fumes from below would seep through the floorboards during a hot dance session."
]]></description><pubDate>Sun, 06 Jun 2010 13:44:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=391</guid></item>
<item><title>Recent Additions: Y&uuml;n (1969) by Chou Wen-chung</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=390</link><description><![CDATA["Some natural resonances are audible: wind and thunder, rain drops and cascades, frogs and cicadas, waterfalls and tidal waves. Other reverberations are not. The Taoist philosopher Chuang Tzu said: 'When it cannot be heard by the ear, listen with the mind; that is when nature and art merge as one.' This is perhaps best illustrated by the concept of <i>hsieh i</i> in Chinese ink paintings: The open space untouched by the brush is where the ideas are."
]]></description><pubDate>Mon, 24 May 2010 11:19:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=390</guid></item>
<item><title>Recent Additions: Double Music (1941) by John Cage and Lou Harrison</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=383</link><description><![CDATA["<b>Double Music</b> uses 'found' instruments, brake drums and thunder sheets, and other easily obtainable (at that time) and exotic instruments, including cowbells, water buffalo bells, sleigh bells, sistrums, gongs, and tam-tams ... [It] also includes a water gong -- a small gong raised and lowered into a tub of water while played, bending its tone. John Cage had discovered the water gong while providing music for the University of California, Los Angeles swimming team."
]]></description><pubDate>Fri, 26 Mar 2010 14:19:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=383</guid></item>
<item><title>Recent Additions: Imaginary Landscape No. 2 (March) (1942) by John Cage</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=384</link><description><![CDATA["While he was in Chicago, [Cage] had access to the CBS radio studios when he was commissioned to compose music for [a] radio play ... this experience no doubt inspired the second and third entries in the <b>Imaginary Landscape</b> series. In <b>Imaginary Landscape No. 2</b> (1942), one performer plays a coil of wire that is amplified by attaching it to a phonograph tonearm (this was a sound Cage discovered from his work with radio sound-effects men)."
]]></description><pubDate>Tue, 16 Mar 2010 15:32:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=384</guid></item>
<item><title>Recent Additions: In Memory of Victor Jowers (1967) by Lou Harrison</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=385</link><description><![CDATA["My good and jovial friend, Victor Jowers, died pathetically and slowly of blood cancer. He had been made to watch atom bomb tests in Nevada. Gradually we learn little bits of information about US use of citizens as subjects of lethal experiments. We will never know all of such done in the past, nor, indeed, of what is presently being committed. It is heartrending to know this."
]]></description><pubDate>Fri, 05 Mar 2010 15:56:00 PST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=385</guid></item>
<item><title>Recent Additions: May Rain (1941) by Lou Harrison</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=386</link><description><![CDATA["<b>May Rain</b> was written for my friend William Weaver to sing. The beautiful poem is one from a sequence titled <b>From Alba Hill</b> by the wonderful Elsa Gidlow. It first appeared in the very early 1930's and currently is printed in her <b>Sapphic Songs: Seventeen to Seventy</b> (Diana Press, 1976)."
]]></description><pubDate>Mon, 22 Feb 2010 20:46:00 PST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=386</guid></item>
<item><title>Recent Additions: Rest (1933) by Henry Cowell</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=387</link><description><![CDATA["<b>Rest</b>, set to poetry of Catherine Riegger (daughter of American composer Wallingford Riegger), was composed in 1933 and published in 1938 in the periodical that Cowell founded, <b>New Music</b>, now out of print but readily available in many libraries. The songs were likely premiered for San Francisco's New Music Society by Radiana Pazmor, a leading California contemporary music proponent who was known for her performances of music of Charles Ives."
]]></description><pubDate>Mon, 22 Feb 2010 20:46:00 PST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=387</guid></item>
<item><title>Recent Additions: Simfony #13 (1941) by Lou Harrison</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=388</link><description><![CDATA["<b>Simfony #13</b> shows an approach and orchestration similar to much of Harrison's other percussion work up until that time. Harrison would plot out the possibilities of rhythmic patterns and durations, and use them in composing the little rhythmicles (Harrison's term for the small phrases in his percussion work) and the longer formal elements used to construct his works. This facilitated the always lyrical feature of Harrison's writing, even for percussion.
]]></description><pubDate>Mon, 08 Feb 2010 20:57:00 PST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=388</guid></item>
<item><title>Recent Additions: Ryoanji (1983-1985) by John Cage</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=389</link><description><![CDATA["<b>Ryoanji</b> is named after the famous Zen garden in Kyoto, Japan, consisting of raked sand in which are set a number of rocks. Cage suggests that the percussion part may be thought of as the sand and the solos as the rocks. The percussion part consists of a series of pulses without any discernible pattern. The music for the solos appears as a series of shapes, which were created using actual rocks (which Cage was fond of collecting) as templates."
]]></description><pubDate>Fri, 22 Jan 2010 14:41:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=389</guid></item>
<item><title>Recent Additions: Frozen Horizon (1998) by Karen Tanaka</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=382</link><description><![CDATA["The idea of <b>Frozen Horizon</b> is based on the landscape of Harstad, the city on one of the fjord islands in northern Norway ... Extreme climate conditions prevail during the winter, when darkness lasts all day without any sunlight. One can see northern lights like hallucinations. Beyond the icy earth's surface, the frozen sea spreads towards a curved boundary line between the sea and the dark sky. Time passes slowly there."
]]></description><pubDate>Thu, 29 Oct 2009 10:12:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=382</guid></item>
<item><title>Current Feature: Contemporary Music from Oregon</title><link>http://artofthestates.org/feature.html</link><description><![CDATA[A selection of Oregonian musicmaking from the past 70 years. Contemporary classical music in Oregon abounds in its two largest cities, Portland and Eugene. Portland is home to a number of adventurous music groups, many comprised of members of the resident Oregon Symphony. Eugene's new music activity centers around the University of Oregon School of Music and its accomplished faculty composers and musicians.
]]></description><pubDate>Mon, 28 Sep 2009 13:24:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/feature.html</guid></item>
<item><title>Recent Additions: Sonata for Guitar and Piano (1995) by Charles Wuorinen</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=379</link><description><![CDATA["In the early 1990's Wuorinen collaborated with Benoit Mandelbrot in a presentation at the Guggenheim Museum in New York City. Mandelbrot emphasized the use of fractals as 'realistic and useful models of many phenomena in the real world. Natural fractals include the shapes of mountains, coastlines, and river basins; the structures of plants, blood vessels, and lungs; the clustering of galaxies; and Brownian motion.' Wuorinen showed how music is fractal, and how he seeks to work in sympathy with music's fractal nature."
]]></description><pubDate>Wed, 19 Aug 2009 12:18:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=379</guid></item>
<item><title>Recent Additions: Tibetan Tunes (2007) by Chen Yi</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=380</link><description><![CDATA["<b>Tibetan Tunes</b> for violin, cello, and piano (2007) harks back to Chen's days at [Beijing] Central Conservatory, where folk songs were a key part of musical education. 'During the Cultural Revolution, many of these songs were still around, but they had been turned into revolutionary songs with lyrics about Chairman Mao,' she says. 'By the time we were at conservatory, we could go back to some of our original texts.'"
]]></description><pubDate>Thu, 30 Jul 2009 11:47:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=380</guid></item>
<item><title>Recent Additions: Wilde, Symphony for Baritone and Orchestra (1990/1995) by Charles Fussell</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=378</link><description><![CDATA["Fussell has called <b>Wilde</b> a symphony that wants to be an opera, as it is operatic both in scope and construction. Librettist Will Graham, a frequent collaborator, crafted a text that weaves together excerpts of Wilde's writings, letters, and poetry along with original material. It is in the format of letters to his lover, Lord Alfred Douglas, a device which not only gives access to Wilde's thoughts but also allows Wilde to narrate his own actions. It also allows the many facets of Wilde's life to be telescoped into a single day in the first movement."
]]></description><pubDate>Wed, 17 Jun 2009 10:54:00 PDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=378</guid></item>
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